Set on a hot summer day in Brooklyn, this crime thriller is based upon a true story. A heist goes wrong, and all of a sudden two thieves (Al Pacino and John Cazale) are stuck holding hostages in a sweltering bank.

Set in sweltering South Florida, the film’s noir elements unravel in a manner heavily inspired by Billy Wilder’s Double Indemnity. Like many classic American noirs, our main character, played by William Hurt, meets an irresistible woman and soon finds himself in a fiery plot.

A former circus boy, now an asylum inmate, is haunted by childhood trauma and his fanatical, armless mother. Santa Sangre is a surreal eruption of madness, religion, and Freudian nightmare—equal parts performance and possession.

After covering a grisly crime scene, a photojournalist begins to physically disappear—his body vanishing piece by piece. As he descends into Mexico City’s violent underworld, he’s consumed by madness, grief, and the moral weight of what he’s witnessed.

A young woman’s long-awaited pregnancy becomes a waking nightmare, as she’s haunted by visions and the sound of breaking bones. Huesera: The Bone Woman blends body horror with urban folklore and brujería, confronting the generational pressures placed on women’s bodies and lives.

Two orphaned girls find friendship—and something far more sinister—inside a convent. When one falls under a satanic influence, the film spirals into exorcism, blood-soaked ritual, and unrelenting hysteria.

An aging antiques dealer stumbles upon a golden scarab device that grants eternal life—but at a horrifying cost. Cronos, Guillermo del Toro’s lush, haunting debut, reimagines the vampire myth through a Mexican lens steeped in Catholic imagery, familial bonds, and alchemical horror.

After almost 90 years, these classic cartoons have been restored from their original film elements by Fabulous Fleischer Cartoons Restored, an effort led by Max Fleischer's granddaughter Jane Reid. Calgary Cinematheque Society and Quickdraw Animation Society are proud to present six classic restored cartoons from the Fleischer catalogue, introduced by Kevin D.A. Kurytnik and featuring both a mini-documentary on the Fleischer Superman cartoons and a special Q&A after the show with Jane Reid herself, moderated by Kevin Kurytnik. Don't miss a wonderful evening of animation history!

This film follows two girls from opposite sides of the track who find themselves confined to the same mental hospital. One is there due to a run-in with the police, the other sent by her prominent father. The two develop a bond and decide to escape and run away to the streets of Times Square, New York.

This coming-of-age story follows four teenagers living in Los Angeles’ San Fernando Valley. The film exudes punk rock energy, thanks to an outstanding performance by rock legend Cherie Currie of The Runaways.

At summer camp, two 15-year-old rivals from different walks of life are pressured by their fellow campers into competing in a contest: the first girl to lose her virginity will be declared the winner. While the premise sounds like something out of the American Pie franchise, this film has more in common with a coming-of-age drama than a screwball comedy.

The big screen debut of cultural icon Dolly Parton, this Oscar-nominated (Best Original Song) mega box office hit proved to studios that a film led by women could become a major success. Three office workers (Dolly Parton, Jane Fonda, and Lily Tomlin) are sick and tired of their boss taking advantage of them—both professionally and personally—and decide to fight back. They bring their revenge fantasies to life in this hilarious comedy that changed both the game and the workplace forever.

The Surrealist artistic movement was born in the aftermath of World War I, as shell-shocked nations strove to rebuild and artists began to explore the unconscious mind, seeking to synthesize an expression of the illogical world of dreams with the cold reality they found themselves in.

Martha (an unforgettable Shirley Stoler) finds a pen pal through a lonely hearts correspondence in the form of Ray (Tony Lo Bianco). The fact that Ray is a serial killer conman who robs wealthy widows of their money is no problem for Martha; she joins in on the game. But Martha’s fierce jealousy of Ray’s entanglements with his marks soon leads to desperate and dangerous consequences.

This explosive potboiler ran as a B-picture when it first debuted, but became an undeniable influence on the development of the subgenre. Even more so than films like Detour and They Live by Night, Gun Crazy lays bare the American obsession with cars, guns, and sex. Peggy Cummins and John Dall portray a couple of fugitive criminals whose intense sexual chemistry is ignited and fueled almost entirely by their fetish for guns. Director Lewis told Cummins to play her part like a dog "in heat" and Dall like he'd "never been so hard," resulting in a pair of charged performances that sell what the script, written by the blacklisted Dalton Trumbo under a pseudonym, could not explicitly talk about.

Tarantino and Scorsese meet Thelma & Louise and Bonnie & Clyde in this crime thriller based on true events, set in 1965 Buenos Aires. Nene (Leonardo Sbaraglia) and Angel (Eduardo Noriega) are known as "The Twins," ruthless bank robbers and inseparable lovers. When a heist goes awry, the two go into hiding with their getaway driver and his girlfriend. Angel’s sudden coldness toward Nene threatens their relationship, and the bisexual Nene takes up with a local prostitute (Leticia Bredice), who tests his loyalty to Angel as the police close in.

The ne plus ultra of the "lovers on the run" genre, Bonnie & Clyde barely needs an introduction. Clyde (Warren Beatty) is a small-time crook until he meets Bonnie (Faye Dunaway). Together with Clyde’s brother (Gene Hackman) and his wife (an Oscar-winning performance by Estelle Parsons), they become the most infamous bank robbers of the Depression era. They also become immediate folk heroes for an increasingly disenfranchised American society eager to rob a system that no longer serves them.

In 2024, art historian Thomas Negovan undertook an ambitious project to “rescue” Caligula’s reputation. Using hours of previously unreleased footage, Negovan re-edited the film to restore Gore Vidal’s original vision of perverse power. Featuring the talents of Helen Mirren as Empress Caesonia, Peter O’Toole and John Gielgud as Emperor Tiberius and his advisor Nerva, and Malcolm McDowell (A Clockwork Orange) as Caligula, Calgary Cinematheque proudly presents the latest incarnation of Rome’s most infamous tyrant: Caligula: The Ultimate Cut.nauguration of the most infamous tyrant of Rome, Caligula: The Ultimate Cut.

Diva is the starting point of “Cinema Du Look.” It’s the film that invented a cinematic movement. Famed opera diva Wilhelmina Higgins refuses to have her voice recorded in any shape or form. When a devoted fan secretly records her lucrative voice, multiple parties in the underground Parisian crime world begin to vie to get their hands on the coveted recording. 

Betty (Beatrice Dalle) lives in romantic seclusion in a stilt house on the beach with barely employed writer Zorg (Jean Hugues Anglade). Betty has dropped into Zorg’s life on a whim and decided not only is he her soulmate but he’s also an artistic genius. Their intense mutual passion is very soon tested by Betty’s inability to ground her own autonomy: Her passionate attraction to Zorg becomes dangerously all consuming, threatening both her sanity and Zorg’s genuine love for her. 

Loosely based on the life story of famed diver Jacques Mayol, Luc Besson’s fairy tale romance The Big Blue (Le Grande Bleu) is one of the legendary cult films of 80’s European cinema. The relationships revered diver Jacques (Jean Marc Barr) has with his arch rival, Enzo (Jean Reno at his most charismatic) and his insurance adjuster girlfriend, Johana ( Rosanna Arquette) are tested by his nearly mystical obsession with the sea itself.  When his arch rival challenges him to a deep sea diving contest where the winner must essentially break a world depth record, Jacques limits begin to know no bounds…

Strung out junkie Nikita (Anne Parillaud) gets involved in a shoot out with police and is believed dead. Secretly however, she has been detained by the government to serve a new purpose: An assassin for the French government. Her devotion to her mission is not only tested by her own past but by the trust of her boyfriend (Jean Hugues Anglade), a checkout clerk at the supermarket who has no idea of Nikita’s true identity. 

Infamous as one of the most expensive French films ever produced, and iconic because of its extravagant, ecstatic visual romanticism, Leos Carax’s Les Amants Du Pont-Neuf (Lovers On The Bridge) remains its directors most epic vision of love on the margins of society. 

The Right Stuff came out to near universal praise. The film is an exhilarating look at the Mercury Seven, a group of almost mythical astronauts. These men would go on to be some of the first men to travel to space. Kaufman delivers a stunning ode to American exceptionalism that is not afraid to keep reminding audiences that the country has a long way to go still.

After escaping the jungle with his masterpiece Apocalypse Now, Francis Ford Coppola turned his attention to utilizing technological advances at his Zoetrope Studios. Initially conceiving One From the Heart as a simple romantic comedy, Coppola’s ambitions grew larger. The story became a musical, with the soundtrack composed by Tom Waits and Crystal Gale. Gene Kelly was brought in to oversee the dance number.

Heaven’s Gate is a movie of contrasts. East vs West. Rich vs Poor. Confined dark interiors vs expansive outdoor vistas. It makes sense then, that the reaction to its initial release contrasts wildly to its true quality. On a budget of $44 million dollars, Heaven’s Gate was not able to muster even $3.5 million dollars at the box office.

Charlie Chaplin believed that tragedy and comedy were not far removed, and so sought inspiration in tales of deprivation and horror from the Klondike Gold Rush of the 1890s for this silent comedy classic. The Calgary Cinematheque is excited to present this masterpiece of physical comedy with a live score by Icarus 3.

South Korean director Park Chan-wook (Oldboy, The Handmaiden) explores themes of faith, morality, and the nature of desire in this acclaimed erotic horror inspired by the works of Émile Zola.

Amidst the "Blaxploitation" trend of early 70s American cinema, African-American filmmaker Bill Gunn found the opportunity to take a commercial project, a "Black vampire" movie, and use it to talk about the African diaspora, drug addiction, and other issues affecting the Black community of the time.

Exploring issues of feminism, religion, and horror, Iranian-American filmmaker Ana Lily Amirpour exploded onto the international cinema scene with this critically acclaimed indie horror classic