Saving Face is Alice Wu’s debut directorial film. A Chinese-American lesbian filmmaker, Saving Face is a film loosely based on Wu’s personal life. Despite protests from Hollywood production companies to white-wash the film, Wu insisted on keeping the cast strictly Chinese-American with Mandarin included in the film. Wu’s insistence to keep her film truly authentic to her culture and upbringing makes this film an influential step forward for the future of East Asian-American filmmakers.

Gohatto (Taboo) is the dreamlike final film of director Nagisa Oshima (In The Realm Of The Senses, Merry Christmas, Mr Lawrence). When a new Samurai recruit joins the ranks of the all-male warrior class, his beauty and skill capture the attention of nearly all his comrades. Aloof and ambiguous in his sexuality, the anarchy his presence unleashes not only attracts his brethren, but also threatens to violently upend the stability of their entire society. 

The Handmaiden is one of Park Chan-wook’s most iconic films. In classic Chan-wook style, it has mystery and action elements, with mind-bending plot twists. Set in Japan-occupied Korea of the early 1900s, Chan-wook unconventionally tells the story of two women who become attracted to each other, and fall into a surprising romantic relationship.