We're heading back to 1967 for our final screening of the season! In The Young Girls of Rochefort, twin sisters Delphine (Catherine Deneuve) and Solange (Françoise Dorléac) both look for love when a fair comes to their sleepy port town. Join us for this charming French film that pays homage to Golden Age Hollywood musicals.
A profound and emotionally resonant film telling the intersecting stories of four characters in the north-east of China, An Elephant Sitting Still is both the debut and, tragically, the final feature film by filmmaker and novelist Hu Bo, who tragically passed away at the age of twenty-nine during postproduction on the film.
The Happiness of the Katakuris is Japanese provocateur Takashi Miike’s deliciously bizarre song-and-dance remake of the darkly comic Korean film The Quiet Family, telling the story of a family of innkeepers whose guests keep dying and need to be disposed of.
Winner of the FIPRESCI prize at the 2018 Cannes Film Festival, Burning is a loose adaption of the 1983 Haruki Murakami story “Barn Burning.” Informed by what director Lee Chang-dong has described as his growing concern with “the rage of young people,” the film presents a simmering love triangle and pyromaniacal acting out within the context of a corroding social fabric.
Join us for our season finale and wrap celebration on March 29!
With our final film we want to thank YOU, our wonderful, loyal, and adventurous audience, with a special wrap celebration at the Globe Cinema. Doors open and food served at 5:00 PM. Make sure to stay afterward for our door prize giveaways and conversation in the upstairs lobby!
JOHANNA D'ARC OF MONGOLIA | Dir. Ulrike Ottinger | 1989 | 165 min
Pre-screening reception at 5:00 PM, film begins at 6:00 PM
Oscillating between modes of lavish theatricality and patient ethnography, Ulrike Ottinger’s kaleidoscopic film Johanna d’Arc of Mongolia renders cultural contact with a dazzling, feminized, and above all singular vision.
Set against the rolling landscapes of the Trans-Siberian railway, Ottinger introduces us to an idiosyncratic band of travelers, including Lady Windermere (Delphine Seyrig, Jeanne Dielman, Last Year at Marienbad), a high-society intellectual and polyglot; several performers, all from wildly different theatre traditions (including Broadway, Russian, and Yiddish); a mousy German schoolteacher (Irm Hermann); and an adventurous backpacker (Inés Sastre). When the train arrives in Inner Mongolia however, they are taken captive by a group of all-female Mongolian warriors, led by Princess Ulan Iga (Xu Re Huar). Captives though they are, the travelers are subject to “sacred laws of hospitality”, finding themselves as guests, and before long, participants in a radically different conception of society.
A lush, poetic, and playful film, Johanna d’Arc of Mongolia marks a turning point in Ulrike Ottinger’s career, between the colourful, carnivalesque films of her early career and the rigorous, observational documentaries of her later career. Calgary Cinematheque is proud to present a film from an underseen, wildly inventive, and vital voice in queer German cinema.
Johanna d’Arc of Mongolia is the fifth and final selection in our FOCUS: LANDSCAPES series, and the final film of the 2017/18 season.
After our screening, stick around for our door prize giveaways. You could win one of the following:
- A pair of tickets to Alberta Theatre Projects' hockey and dance extravaganza Glory,
- A $50 gift certificate to the Criterion Collection,
- A five-film punch pass to Calgary Cinematheque, valid for our future programming
We'll also be serving some sugary treats in the lobby afterward, so stay and chat films with us! We'd love to hear what you thought about the film, the series, or the season.
ZAMA | Dir. Lucrecia Martel | 2017 | 115 min
Presented in Spanish with English subtitles.
Lucrecia Martel’s long awaited cinematic return Zama is a feast for the senses. Based on Antonio di Benedetto’s classic 1956 Argentinean book of the same name, Martel has stamped her unique voice on the material and elevated proceedings by packing the film with cinematic and literary references. As a result, Zama brings fresh insights to the colonial narrative.
In the late 18th century, Don Diego de Zama (Daniel Giménez Cacho) is an officer of the Spanish crown stationed in a remote South American town. He patiently goes about his daily tasks but his heart is set on a move to a more desired posting. Soon he realizes that in order to get his wish, he must put up with whatever is thrown his way, even if it comes at the cost of personal humiliation. To complicate matters, he slowly starts lusting after a noblewoman Luciana (Lola Dueñas, Broken Embraces, Volver) and that further torments him. Finally, there is the constant dread of Vicuña Porto, a famed bandit whose appears to be everywhere and nowhere at the same time. The heat, the lust, and the threat of Vicuña Porto all slowly start to unravel Zama to a point where reality, myth, and dreams collide.
Stunningly shot and boasting a hypnotic score, Zama is an immersive cinematic experience unlike any film made in the last few years!
Note: Zama is Martel’s first film since 2008's The Headless Woman, a film that was shown as part of Calgary Cinematheque’s Focus series on “21st Century Cinema of Argentina”.
Academy of Motion Picture Arts and Sciences of Argentina 2017 - Nominated (Award of the Argentinean Academy, Best Film | Lucrecia Martel, Best Director | Lucrecia Martel, Best Actor | Daniel Giménez Cacho, Best Supporting Actor | Juan Minujín, Best Screenplay, Adaptation | Lucrecia Martel, Best Cinematography | Rui Poças, Best Editing | Karen Harley, Miguel Schverdfinger, Best Art Direction | Renata Pinheiro, Best Costume Design | Julio Suárez, Best Make Up | Marisa Amenta, Alberto Moccia, Best Sound | Guido Berenblum)
Seville European Film Festival 2017 - Won (Special Jury Award | Lucrecia Martel
Zama is the fifth selection in our CONTEMPORARY WORLD CINEMA series.
ALL THE PRESIDENT'S MEN | Dir. Alan J. Pakula | 1976 | 138 min
Two Washington Post reporters, Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), research the botched 1972 burglary of the Democratic National Committee Headquarters at the Watergate complex. With the help of a mysterious source, code-named Deep Throat (Hal Holbrook), the two reporters make a connection between the botched crime and a White House staffer, following the money all the way to the top.
All the President’s Men is the final film that forms our Spotlight Series on American cinematographers Gordon Willis and Haskell Wexler. To learn more about this series, read our Whitepaper written by Cinematheque Board Member and Programmer Felicia Glatz:
EXCERPT: “In 1976, Gordon Willis and Alan J. Pakula tackled the story of Carl Bernstein and Bob Woodward, two Washington Post journalists responsible for breaking news of the Watergate scandal. A mix of newsreels, newspaper headlines, and pre-recorded voice-over cumulate as the two reporters dig deeper and deeper into Nixon’s conflicting presidential campaign. Themes formalize into visual flares, illuminating scenes and sentiments of our main characters. A dim parking garage quickly becomes a busy and sterile newsroom as “Deep Throat’s” clues make their way into the light of day; likewise, a spiraling camera emulates the abyss of information as Woodward and Bernstein sift through names in the congressional library. This is Willis’ way of thickening the narrative, a perfect example of his timeless dexterity.”
To read the full Whitepaper click HERE.
Academy Awards, USA 1977 - Won (Oscar, Best Actor in a Supporting Role | Jason Robards, Best Writing, Screenplay Based on Material from Another Medium | William Goldman, Best Art Direction-Set Decoration | George Jenkins, George Gaines, Best Sound | Arthur Piantadosi, Les Fresholtz, Rick Alexander (as Dick Alexander), James E. Webb), Nominated (Oscar, Best Picture | Walter Coblenz, Best Actress in a Supporting Role | Jane Alexander, Best Director | Alan J. Pakula, Best Film Editing | Robert L. Wolfe)
Golden Globes, USA 1977 - Nominated (Golden Globe, Best Motion Picture - Drama, Best Director - Motion Picture | Alan J. Pakula, Best Actor in a Supporting Role - Motion Picture | Jason Robards, Best Screenplay - Motion Picture | William Goldman)
BAFTA Awards 1977 - Nominated (BAFTA Film Award, Best Actor | Dustin Hoffman, For Marathon Man, Best Cinematography | Gordon Willis, Best Direction | Alan J. Pakula, Best Film, Best Film Editing | Robert L. Wolfe, Best Production Design/Art Direction | George Jenkins, Best Screenplay | William Goldman, Best Sound Track | Milton C. Burrow, James E. Webb, Les Fresholtz, Arthur Piantadosi, Rick Alexander, Best Supporting Actor | Martin Balsam, Best Supporting Actor | Jason Robards)
American Cinema Editors, USA 1977 - Nominated (Eddie, Best Edited Feature Film | Robert L. Wolfe)
Directors Guild of America, USA 1977 - Nominated (DGA Award, Outstanding Directorial Achievement in Motion Pictures | Alan J. Pakula)
Kansas City Film Critics Circle Awards 1976 - Won (KCFCC Award, Best Supporting Actor | Jason Robards)
National Board of Review, USA 1976 - Won (NBR Award, Best Film, Best Director | Alan J. Pakula, Best Supporting Actor | Jason Robards)
National Film Preservation Board, USA 2010 - Won (National Film Registry)
National Society of Film Critics Awards, USA 1977 - Won (NSFC Award, Best Film
Best Supporting Actor | Jason Robards), Nominated (NSFC Award, Best Director | Alan J. Pakula)
New York Film Critics Circle Awards 1977 - Won (NYFCC Award, Best Film, Best Director | Alan J. Pakula, Best Supporting Actor | Jason Robards)
Online Film & Television Association 2017 - Won (OFTA Film Hall of Fame, Motion Picture)
Writers Guild of America, USA 1977 - Won (WGA Award (Screen), Best Drama Adapted from Another Medium | William Goldman)
All the President's Men is the sixth selection in our SPOTLIGHT: WILLIS AND WEXLER series.
THE PARALLAX VIEW | Dir. Alan J. Pakula | 1974 | 102 min
Investigative reporter Joe Frady (Warren Beatty) discovers that the assassination of a US senator wasn’t an isolated incident. His investigation leads him to suspect the Parallax Corporation was involved and soon, Frady finds himself in a larger than life conspiracy.
The Parallax View is the second “Willis” film that forms our Spotlight Series on American cinematographers Gordon Willis and Haskell Wexler. To learn more about this series, read our Whitepaper written by Cinematheque Board Member and Programmer Felicia Glatz:
EXCERPT: “Gordon Willis carefully dissects the screen, relegating action to miniscule but sterilely lit portions of his frame. These highly dichotomous compositions lead us to the most literal and significant interpretations, something he has mastered and recurrently exercises for maximal impact. Joseph Frady (Warren Beatty) a journalist on the run divulges classified and dangerous information to his editor Bill Rintels (Hume Cronyn) in his tiny glass office, a vivarium floating in a dark newspaper room. Frady, who has penetrated an elite assassin’s recruitment facility, follows them into the shadows where they carry out their orders robotically. Their world is opaque and all consuming; likewise, Willis’s darkness gradually strangles the light into submission. The second of three collaborations between himself and Alan J Pakula, The Parallax View (1974) synthesizes the most politically subversive themes with finely tuned formal delivery. A collective suspicion stemming from the highly investigated and even more so theorized JFK assassination, humors Pakula’s critique of a lone patsy narrative.”
To read the full Whitepaper click HERE.
Avoriaz Fantastic Film Festival 1975 - Won (Critics Award | Alan J. Pakula)
Edgar Allan Poe Awards 1975 - Nominated (Edgar, Best Motion Picture | David Giler, Lorenzo Semple Jr.)
National Society of Film Critics Awards, USA 1975 - Won (NSFC Award, Best Cinematography | Gordon Willis).
Writers Guild of America, USA 1975 - Nominated (WGA Award (Screen), Best Drama Adapted from Another Medium | David Giler, Lorenzo Semple Jr. )
The Parallax View is the fifth selection in our SPOTLIGHT: WILLIS AND WEXLER series.